Showing posts with label one. Show all posts
Showing posts with label one. Show all posts
Sunday, February 23, 2014
ONLY ONE COAT OF ANNIE SLOAN french nightstands
These nightstands were painted in ASCP and they only have one coat. I wanted to show how this
paint is perfect for creating a time warn finish, easily. All the furniture finishes so many of us
covet are very European and this paint just so happens to be European along with its creator.
I painted both cabinets with one coat of grey (custom mix) from top to bottom using a
2 inch brush. I took extra care to get a nice coat on the drawer faces but that is easy
because I always take my drawers out and paint them standing off to the side.
In many areas you get spots where your brush has left "see through marks", thats what Ill call them
for the purpose of this review. They are rough once dry and of course look like you missed a spot
but once you sand these smooth with a 220 grit paper they look to be original wear from years gone by.
The white accents are painted over the grey with a small artist brush. I like to take my time when
doing this and enjoy it. If you have a ball and claw foot to paint turn the piece upside down and get
a crisp line painted between the ball and claw to define it well.
If I were to add dark wax to these they would look like they
sailed across the ocean right from a French villa.
Heres the BEFORE and AFTER shot below.
Tuesday, February 18, 2014
My Take on Starting to Carve Part One
I think I might have said this before, but it bears repeating. One of the coolest things about writing this blog is the interaction it allows me with other woodworkers and like minded folks. Sometimes that interaction takes place in the comments area, sometimes on other social media sites, and sometimes via email.
Typically the emails are the most interesting because someone has a private comment or question about what Ive done or what I think. The most intimidating emails come from woodworkers who are either beginning completely or are working to add a new skill to their bag of tricks.
Since I started my foray into carving around two years ago I would say I have fielded more questions on that subject than any other. Often the question is akin to "Where do I start?" I should add that I dont consider myself an expert, a master, or any other assumed title which should give me authority to answer any questions. Im not published or recognized by anybody or entity which would provide me with any credibility, nor have I sought any of these things. I am mostly happy to be a man on my own island here.
So I try not to offer advice or instruction. Instead I try to relate my own experiences and path and offer that it has seemed to work for me. I try to first point out the resources that helped get me off the ground and then the places I stepped to go further. Over my next few posts Im going to discuss the adventure of beginning carving from my perspective starting with getting your hands on some of the tools, followed by the instruction aids and teachers that helped, and continue to help me, and finally talking about how I go about finding and capturing inspiration for making my carvings.
The first step is simply starting. As a young man I aspired to write the great american novel, this lead to me reading many books on writing and the advice I remember best is that you have to remember books dont write themselves. There are a thousand people out there with a million great ideas for the next Great Gatsby, but only a small percentage of them will ever apply their posterior to a chair and their fingers to a keyboard and bang out even a crappy first draft.
Starting a new adventure like carving can be the same issue. I remember standing before the wall of Pfiel carving tools at the Woodcraft store in Madison and struggling to not give up in dismay over the multitude of choices. For my two cents you should start small, a V tools and a couple gouges of different depths of sweep. I started with two tools, a V and a shallowish gouge.
On his blog, Peter Follansbee offers a more specific suggestion of 5 good tools to start with. That advice is found HERE. (disclaimer: PF is a woodworking superhero IMHO, I drew, and continue to draw a ton of inspiration from him in terms of carving and woodworking, your individual mileage may vary, but you will hear me refer to him a lot as I write on this subject)
The important thing here is dont cheep out on the tools. At your nearest home center you will find a vacuum sealed package of plastic handled crap masquerading as carving tools shaped objects. Do not get fooled. The items contained in that package are barely fit to open paint can lids with. Do yourself a huge favor and spend a little extra time and money getting a small selection of quality tools from quality makers. Pfiel, Ashely Iles, Two Cherries are just a couple names that scratch the surface of good modern makers.
Living miles and miles away from a Woodcraft or other woodworking specialty store? Too far to make the drive? You wont go wrong online if you visit the Tools for Working Wood website (http://www.toolsforworkingwood.com/). The page for the carving tools they offer is HERE and if you need help getting the sizes to match something like Peters suggestions Im positive if you drop them a line youll get the help you need.
You may also want to consider adding a round mallet if you dont have one already. Buy one or turn one yourself it doesnt matter, but this style mallet is perfect for the light percussion that sometimes accompanies carving.
Once you have your first few carving chisels take a little time to get to know them. Learn to sharpen them, Ive always found Leonard Lees book "The Complete Guide to Sharpening" to be a bible in these matters, but there is an equally good book written by sharpness guru Ron Hock called "The Perfect Edge" available on his site HERE.
Your collection will grow organically after you start. You can go one of two routes for this. You can carefully buy one gouge at a time based on experience and need or you can spend a little time searching eBay, antique stores, auctions, or estate sales and pick up a decent sized lot of tools collected together by someone previously. I chose to buy the slug of tools, twelve in a hinged box from the shelves of an area antique store. I appreciated this route because it gave me several tool options I might not have considered buying at first and now I find myself looking for different widths and sweeps of something I may never have bought alone.
Grab some scrap cut offs and go about making a few cuts. Trace a curvy line with a pencil and follow it with the V tool. As adults we often forget the importance of "play" give yourself an afternoon to rediscover the meaning of that word. Carving is like most other hand tool skills, its a complementary relationship between the hands and the eyes. It takes some time and play to develop that relationship. like splitting the line to hand cut a dovetail, what starts as concentrated effort results in practiced confidence.
Next time I will talk about the sources I used to start "learning" to carve
Ratione et Passionis
Oldwolf
Read More..
Typically the emails are the most interesting because someone has a private comment or question about what Ive done or what I think. The most intimidating emails come from woodworkers who are either beginning completely or are working to add a new skill to their bag of tricks.
Since I started my foray into carving around two years ago I would say I have fielded more questions on that subject than any other. Often the question is akin to "Where do I start?" I should add that I dont consider myself an expert, a master, or any other assumed title which should give me authority to answer any questions. Im not published or recognized by anybody or entity which would provide me with any credibility, nor have I sought any of these things. I am mostly happy to be a man on my own island here.
So I try not to offer advice or instruction. Instead I try to relate my own experiences and path and offer that it has seemed to work for me. I try to first point out the resources that helped get me off the ground and then the places I stepped to go further. Over my next few posts Im going to discuss the adventure of beginning carving from my perspective starting with getting your hands on some of the tools, followed by the instruction aids and teachers that helped, and continue to help me, and finally talking about how I go about finding and capturing inspiration for making my carvings.
The first step is simply starting. As a young man I aspired to write the great american novel, this lead to me reading many books on writing and the advice I remember best is that you have to remember books dont write themselves. There are a thousand people out there with a million great ideas for the next Great Gatsby, but only a small percentage of them will ever apply their posterior to a chair and their fingers to a keyboard and bang out even a crappy first draft.
Starting a new adventure like carving can be the same issue. I remember standing before the wall of Pfiel carving tools at the Woodcraft store in Madison and struggling to not give up in dismay over the multitude of choices. For my two cents you should start small, a V tools and a couple gouges of different depths of sweep. I started with two tools, a V and a shallowish gouge.
On his blog, Peter Follansbee offers a more specific suggestion of 5 good tools to start with. That advice is found HERE. (disclaimer: PF is a woodworking superhero IMHO, I drew, and continue to draw a ton of inspiration from him in terms of carving and woodworking, your individual mileage may vary, but you will hear me refer to him a lot as I write on this subject)
The important thing here is dont cheep out on the tools. At your nearest home center you will find a vacuum sealed package of plastic handled crap masquerading as carving tools shaped objects. Do not get fooled. The items contained in that package are barely fit to open paint can lids with. Do yourself a huge favor and spend a little extra time and money getting a small selection of quality tools from quality makers. Pfiel, Ashely Iles, Two Cherries are just a couple names that scratch the surface of good modern makers.
Living miles and miles away from a Woodcraft or other woodworking specialty store? Too far to make the drive? You wont go wrong online if you visit the Tools for Working Wood website (http://www.toolsforworkingwood.com/). The page for the carving tools they offer is HERE and if you need help getting the sizes to match something like Peters suggestions Im positive if you drop them a line youll get the help you need.
You may also want to consider adding a round mallet if you dont have one already. Buy one or turn one yourself it doesnt matter, but this style mallet is perfect for the light percussion that sometimes accompanies carving.
Once you have your first few carving chisels take a little time to get to know them. Learn to sharpen them, Ive always found Leonard Lees book "The Complete Guide to Sharpening" to be a bible in these matters, but there is an equally good book written by sharpness guru Ron Hock called "The Perfect Edge" available on his site HERE.
Your collection will grow organically after you start. You can go one of two routes for this. You can carefully buy one gouge at a time based on experience and need or you can spend a little time searching eBay, antique stores, auctions, or estate sales and pick up a decent sized lot of tools collected together by someone previously. I chose to buy the slug of tools, twelve in a hinged box from the shelves of an area antique store. I appreciated this route because it gave me several tool options I might not have considered buying at first and now I find myself looking for different widths and sweeps of something I may never have bought alone.
Grab some scrap cut offs and go about making a few cuts. Trace a curvy line with a pencil and follow it with the V tool. As adults we often forget the importance of "play" give yourself an afternoon to rediscover the meaning of that word. Carving is like most other hand tool skills, its a complementary relationship between the hands and the eyes. It takes some time and play to develop that relationship. like splitting the line to hand cut a dovetail, what starts as concentrated effort results in practiced confidence.
Next time I will talk about the sources I used to start "learning" to carve
Ratione et Passionis
Oldwolf
Tuesday, February 4, 2014
I Knew There Was One Out There
In a past post I asked if anyone had a vintage tool made by H. E. Mitchell. I mentioned that I would be either willing to buy it, but if it wasnt for sale, I would be grateful for a photograph of it. Someone was kind enough to follow through with that request.
I woke up a few weeks ago to find the following two images in my InBox...
The sender didnt include his or her name, nor was there any text at all accompanying the images. Just the photographs.
After a quick look I knew this saw was made by ol Henry, so I quickly replied with a "thank you" and asked if it was for sale. I didnt receive a response, which was disappointing, but at least I now have an image of an elusive saw made by H. E. Mitchell.
This is huge for me - really huge.
In all the years I have been searching for H. E. Mitchell tools, I have never seen a saw of his, even though he stated in all his advertising that he was just a "saw maker". I saw an outdated listing for one that sold in an auction back in 2005, but it didnt include a picture of it. All this time I had no evidence that the man ever made one. Then these showed up. Wow.
The makers stamp on the saw dates it from 1865 or 1866. I say this for two reasons. First, it has the "Eastbourne" address and ol Henry only worked out of Eastbourne from 1865 until he went bankrupt in February of 1868. He then moved to North Road in Brighton and started again. The other reason for dating it from these two years is that the stamp only says, "Mitchell". Henry realized that his stamp could be confused with other tool makers named Mitchell so in the later half of 1866, he added the "H. E." to it.
Whoever sent me these photos, I thank you very much. You really made my day - week - month. I may not have the actual saw, but at least I have photos of one to show that the man actually made them.
Thank you.
Peace,
Mitchell
Read More..
I woke up a few weeks ago to find the following two images in my InBox...
The sender didnt include his or her name, nor was there any text at all accompanying the images. Just the photographs.
After a quick look I knew this saw was made by ol Henry, so I quickly replied with a "thank you" and asked if it was for sale. I didnt receive a response, which was disappointing, but at least I now have an image of an elusive saw made by H. E. Mitchell.
This is huge for me - really huge.
In all the years I have been searching for H. E. Mitchell tools, I have never seen a saw of his, even though he stated in all his advertising that he was just a "saw maker". I saw an outdated listing for one that sold in an auction back in 2005, but it didnt include a picture of it. All this time I had no evidence that the man ever made one. Then these showed up. Wow.
The makers stamp on the saw dates it from 1865 or 1866. I say this for two reasons. First, it has the "Eastbourne" address and ol Henry only worked out of Eastbourne from 1865 until he went bankrupt in February of 1868. He then moved to North Road in Brighton and started again. The other reason for dating it from these two years is that the stamp only says, "Mitchell". Henry realized that his stamp could be confused with other tool makers named Mitchell so in the later half of 1866, he added the "H. E." to it.
Whoever sent me these photos, I thank you very much. You really made my day - week - month. I may not have the actual saw, but at least I have photos of one to show that the man actually made them.
Thank you.
Peace,
Mitchell
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